And here it is (a little late, but here all the same)! My second short film, “The Disappearing Keys”, starring John Lombard and Michael Ubrihien. Camera work by Fil Meddows and Jason Macqueen. Amazingly, it was an official selection for the 2017 Canberra Short Film Festival!
A couple of months back some friends and I made a silly but fun two-minute short film/skit. It’s called “The Disappearing Keys” and will be screening on Friday 15th September at the Tuggeranong Arts Centre as part of the Canberra Short Film Festival!
Big thanks to John Lombard, Michael Ubrihien, Fil Meddows, Jason Macqueen, and Uncle Pete for helping me put it together. I’m still a novice at this filmmaking stuff, but I’m having a blast learning!
Tickets for the festival are available at the Canberra Short Film Festival website.
Fresh from a terrific run at Best of Crash Test last month, my short play Last Drinks will be doing an encore performance as part of At the Gates, a variety show taking place at Smith’s Alternative on 9 July 2016.
At the Gates will showcase a slew of Canberra talent including performance poets, theatre folk and musicians. Performers include Rob Defries, Helen Way, Phillip Meddows, Cara Irvine, John Lombard, Ghost Noises, Barbi Jones, Dylan Hekimian, The Faumuis, and Katherine Berry. The event has been organised and will be hosted by the wonderful Brendan Kelly.
Apart from being a great excuse to indulge in some creativity, At the Gates also aims to raise funds and awareness for the plight of refugees around the world. All proceeds will be donated to Amnesty International.
The show kicks off at 4pm. Entry is $10.
Last Drinks was my first Crash Test play back in 2012. Since then it has become one of my most performed pieces with almost a dozen productions throughout Australia and abroad. In 2013 it won People’s Choice at Short+Sweet Canberra and was a Gala Finalist in Short+Sweet Auckland. Recently it was part of the inaugural Shorts on Stage ten-minute play festival at Noosa Arts Theatre.
Apart from the buzz of getting to see Last Drinks live again, I’m excited that this version will feature the talents of Rob Defries and Helen Way. Rob and Helen were the first actors to take Last Drinks into the Crash Test arena, and I’ve been itching to get them back in the roles. Added to this, the awesome Phillip Meddows will be directing! What more could a playwright ask for?
Best of Crash Test is a celebration of Crash Test Drama Canberra, a moved reading event aimed at developing original work and fostering creative collaboration. Since kicking off in 2012, Crash Test has played a key role in the emergence of a dynamic, energetic and inclusive ten-minute play scene in the ACT. A number of writers, actors and directors that have taken part of Crash Test Drama Canberra have gone on to enjoy success in ten-minute play festivals and competitions worldwide.
The full line up for Best of Crash Test is:
- “My Undies are Evil” written and directed by John Lombard
- “A Dog’s Life” written and directed by Angus Algie
- “Sprung” by Nigel Palfreman, directed by Kirsty Budding
- “Cupid’s Waiting” by Kate Roediger, directed by Rob Defries
- “Cuts” by Mary Langdon, directed by Marcus Freeman
- “Wardrobe Diplomacy” by Harriet Elvin, directed by Amanda Gillespie
- “Money Rats” by Kirsty Budding, directed by C.S. Carroll
- “Last Drinks” by Greg Gould, directed by Philip Meddows
The plays range in subject and style, from outlandish comedy to subtle political satire. All look to be a lot of fun.
Note: this show is not suitable for children. There will be bad words. And sexy words. But mainly bad words.
My play The Assignment made a great first impression at the last Crash Test Drama Canberra. Not only did it take out the People’s Choice award (as voted by the audience and other Crash Test participants), it also took home Best Director thanks to the insightful and energetic guidance of Philip Meddows.
As a founding member of Crash Test Drama Canberra, it’s awesome to see the format doing so well. Hats off to Budding Theatre for keeping the ten-minute play format alive on Canberra stages. Great to see so many new actors, writers and directors taking part.
From a writer’s point of view, Crash Test is still my favourite way to develop ten-minute plays. It’s fast. It’s furious. It’s never what you expect. It’s also the best way to find out which parts of your play will stand up under the pressure of an unforgiving stage. What dialogue works? What can be left out? Does the story need more attention? Put your hard-earned words in the hands of a Crash Test crew and you’ll find out quick smart.
Big shout out to my fellow Crash Test writers at the last event. The quality of plays on offer was impressive. I especially enjoyed Cupid’s Waiting by Kate Roediger (directed by Annastasia Denton) and My Undies Are Evil by John Lombard (directed by Arne Sjosetd). Both were witty, funny, and subversively insightful.