My play The Assignment made a great first impression at the last Crash Test Drama Canberra. Not only did it take out the People’s Choice award (as voted by the audience and other Crash Test participants), it also took home Best Director thanks to the insightful and energetic guidance of Philip Meddows.
As a founding member of Crash Test Drama Canberra, it’s awesome to see the format doing so well. Hats off to Budding Theatre for keeping the ten-minute play format alive on Canberra stages. Great to see so many new actors, writers and directors taking part.
From a writer’s point of view, Crash Test is still my favourite way to develop ten-minute plays. It’s fast. It’s furious. It’s never what you expect. It’s also the best way to find out which parts of your play will stand up under the pressure of an unforgiving stage. What dialogue works? What can be left out? Does the story need more attention? Put your hard-earned words in the hands of a Crash Test crew and you’ll find out quick smart.
Big shout out to my fellow Crash Test writers at the last event. The quality of plays on offer was impressive. I especially enjoyed Cupid’s Waiting by Kate Roediger (directed by Annastasia Denton) and My Undies Are Evil by John Lombard (directed by Arne Sjosetd). Both were witty, funny, and subversively insightful.